Wheeler Winston Dixon
Filmmaker / Film and Digital History / Theory / Criticism
The James Ryan Professor of Film Studies at the University of Nebraska, Lincoln, Wheeler Winston Dixon is a teacher, filmmaker, and the author of more than thirty books, and over a hundred articles.
He has been quoted by The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics. He also maintains a blog, Frame by Frame, and a series of more than 80 short educational videos.
Here are some of his most recent books:
Click on any of the titles above to see the full cover; more information is under the "books" tabs.
His newest books are Black & White Cinema: A Short History (2015), Dark Humor in Films of the 1960s (2015), Cinema at The Margins (2013), Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010), and Film Noir and the Cinema of Paranoia (2009).
Dixon’s textbook A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.
His work has appeared in Cineaste, Film Criticism, Cinema Journal, Senses of Cinema, Post Script, Literature Film Quarterly, and numerous other publications. His films are in the permanent collection of the Museum of Modern Art.
In 2015, with Gwendolyn Audrey Foster, he inaugurated Quick Takes: Movies and Popular Culture for Rutgers University Press, a new series of books on film and popular culture. He is also the editor (with Gwendolyn Audrey Foster) of the book series New Perspectives on World Cinema from Anthem Press, London.
For more information on Dixon and his work, click here.